soaring

Zeiss 21mm f2.8 ZE manual focus lens

Lovely B&W image of a seagull soaring over the East River during a spring sunset. The wide angle view minimized the backdrop of the city just enough to allow the bird’s silhouette to be the centerpiece of the photograph, and also allowed a touch of foreground shore to become a part of the overall composition. This would make a wonderful medium-sized piece in any New York apartment. Taken with a Zeiss 21mm f2.8 Distagon lens which absolutely cannot be beat for this kind of shot.

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old school

Zeiss 35mm f1.4 manual focus lens

Wonderful shallow-depth-of-field image of an old school bike lock seen in the West Village of Manhattan where those fancy new-fangled locks just won’t do. I love images like this where anyone who has lived in New York for a while would probably recognize this as something seen in Manhattan. I love the smooth dreamy out of focus background just as much as I love the sharp three-dimensionality of the lock itself. Taken with one of the finest lenses I’ve ever worked with… the Zeiss 35mm f1.4 Distagon. It’s a much harder lens to use than it’s little brother, the Zeiss 35mm f2, but the results are head-and-shoulders better. The 35/2 is a “punchier” lens with higher contrast and slightly more saturated colors straight out of the camera, but the 35/1.4 captures far more fine detail and produces much better subject isolation because of it’s larger aperture and enhanced light-gathering ability.

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brushed sky

Zeiss 85mm f1.4 manual focus lens

Most of you know I’m a huge fan of morning skies, and that I have an ongoing project to capture them at unusual opportune times. I found this scene at around 430am and was stunned by how the sky reminded me of the aurora borealis… the only problem with that was that this was in New York City! These undulating wavy strokes of light somehow meandering through the still dark morning sky made an incredible impression to my eye, even this at this ungodly hour. I chose to compose the image with a minimalized horizon and just a peak of city skyline showing for context, and it turned out quite nice. Even though I used a relatively long focal length at 85mm, the image still has an expansive quality about it that I love. This would be perfect as a medium sized 16×20 print with a simple gallery frame.

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marina

Zeiss 35mm f1.4 lens for Canon

Wonderfully detailed B&W photo of a summertime marina full of docked boats in Noank, CT. This is a great nautical scene that would make a stunning gallery-style print to display in the home of anyone who treasures boating. I would recommend a medium size print for this particular image, perhaps 16×20, and a simple white frame, white mat for best display. Taken with a Zeiss 35mm f1.4 Distagon lens and a Canon 5D Mark III camera.

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permanent

Canon 70-200mm f2.8 II lens

The colors turned out to be so striking in this abstract shot of a graffitied city hand railing that I had to share this with you. The deep, vibrant browns and greens set apart by a perfectly horizontal horizon make this a special one for me. The impact that this photo has even though the subject matter is so simple and ordinary reminds me of another one of my personal favorites, the limited edition ‘intraordinary’ photograph.

This is straight out of the camera with no post-processing. Taken with a lens that I no longer own, a Canon 70-200mm f2.8mm II zoom lens. The 70-200/2.8II was a pretty phenomenal lens for a zoom, and I did enjoy using it, but it’s limitations compared to my other prime lenses didn’t justify the expense of keeping it. The newest version of this lens is a must-have for any documentary photographer though since the image quality and bokeh is truly top notch for a zoom lens.

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